<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/51">
    <dcterms:title><![CDATA[Hiroshima #09 (Ogawa Ritsu) ]]></dcterms:title>
    <dcterms:subject><![CDATA[ひろしま (Hiroshima) #09 (Ogawa Ritsu)]]></dcterms:subject>
    <dcterms:creator><![CDATA[石内都 (Ishiuchi Miyako)]]></dcterms:creator>
    <dcterms:date><![CDATA[2007]]></dcterms:date>
    <dcterms:type><![CDATA[Photograph, chromagenic print]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/45">
    <dcterms:title><![CDATA[Hiroshima #88 ]]></dcterms:title>
    <dcterms:subject><![CDATA[ひろしま (Hiroshima) #88]]></dcterms:subject>
    <dcterms:creator><![CDATA[石内都 (Ishiuchi Miyako)]]></dcterms:creator>
    <dcterms:date><![CDATA[Heisei 20 (2008)]]></dcterms:date>
    <dcterms:type><![CDATA[Photograph]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/80">
    <dcterms:title><![CDATA[Hiroshima Panels]]></dcterms:title>
    <dcterms:subject><![CDATA[原爆の図 (Genbaku no Zu)]]></dcterms:subject>
    <dcterms:creator><![CDATA[丸木位里 (Maruki Iri) and 赤松俊子 (Akamatsu Toshiko)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 25 (1950)]]></dcterms:date>
    <dcterms:format><![CDATA[Individual Panel: 1.8 x 7.2 m (30 total)]]></dcterms:format>
    <dcterms:type><![CDATA[Screen-painting, Pigments on Silk<br />
]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/110">
    <dcterms:title><![CDATA[Hiroshima Peace Memorial Park  ]]></dcterms:title>
    <dcterms:subject><![CDATA[広島平和記念公園 (Hiroshima Heiwa Kinen Kō-en)]]></dcterms:subject>
    <dcterms:description><![CDATA[Out of the multiple design proposals for Hiroshima Peace Memorial Park, it was Kenzō Tange&#039;s design that is chosen in the end. Tange&#039;s architecture plans is a mixture of modernist design and Japanese tradition. For example, the cenotaph in front of the exhibition hall is based on prehistoric Japanese &quot;haniwa&quot; ceramics. This turn towards traditions is a continuation of the wartime &quot;tradition debate&quot; in Japanese architecture, where architects debate on ways to implement traditional Japanese architectural characteristics in modern buildings as a celebration of Japanese imperialism. By the postwar period, architects began to look toward the more distant prehistoric past of Japan for inspiration as a justification of implementing Japanese conventions without the imperialistic implications.<br />
<br />
The exhibition hall, on the other hand, utilizes modern designs and shows great influence from famous architect Corbusier]]></dcterms:description>
    <dcterms:creator><![CDATA[丹下健三 (Tange Kenzō)]]></dcterms:creator>
    <dcterms:date><![CDATA[昭和27 (Showa 27)]]></dcterms:date>
    <dcterms:format><![CDATA[N.A]]></dcterms:format>
    <dcterms:type><![CDATA[Architecture]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/73">
    <dcterms:title><![CDATA[Hunger and Thirst ]]></dcterms:title>
    <dcterms:subject><![CDATA[飢渴 (Kikatsu)]]></dcterms:subject>
    <dcterms:description><![CDATA[Compared to Miyamoto&#039;s many war paintings, Hunger and Thirst is special in many ways. First, it wasn&#039;t commissioned by the military nor is it based on any specific military event or photograph. Miyamoto&#039;s conception for this painting came purely from this own imagination. Secondly, and most apparent, this painting does not portray a glorious subject. It shows an injured and downtrodden Japanese soldier surprised and horrified by his own face reflected from a puddle. Other than highlighting the horrors of war, this painting also depicts the dilemma of Japanese people trying to find their ideal self-identity in a caucasian-centered world. ]]></dcterms:description>
    <dcterms:creator><![CDATA[宮本三郎 (Miyamoto Saburō)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 18 (1943)]]></dcterms:date>
    <dcterms:format><![CDATA[130 x 97 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/99">
    <dcterms:title><![CDATA[In the Hold of a Ship]]></dcterms:title>
    <dcterms:subject><![CDATA[ 船艘 (Sensō)]]></dcterms:subject>
    <dcterms:description><![CDATA[Part of the &quot;祖国への旅&quot; series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2]]></dcterms:description>
    <dcterms:creator><![CDATA[北岡文雄 (Kitaoka Fumio)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 22 (1947)]]></dcterms:date>
    <dcterms:format><![CDATA[15.7 × 20.3 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Woodblock Print]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/14">
    <dcterms:title><![CDATA[In the Vicinity of the Diet Building]]></dcterms:title>
    <dcterms:subject><![CDATA[議事堂のある風景 (Gijidō-no-aru-Fūkei)]]></dcterms:subject>
    <dcterms:description><![CDATA[An urban landscape of the Diet Building&#039;s surrounding area]]></dcterms:description>
    <dcterms:creator><![CDATA[松本竣介 (Matsumoto Shunsuke)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 17 (1942)]]></dcterms:date>
    <dcterms:format><![CDATA[61 x 92 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/52">
    <dcterms:title><![CDATA[Installation view of &quot;the Woman at the Butcher&#039;s Shop&quot;]]></dcterms:title>
    <dcterms:subject><![CDATA[「肉屋の女」展示風景]]></dcterms:subject>
    <dcterms:creator><![CDATA[山城知佳子 (Yamashiro Chikako)]]></dcterms:creator>
    <dcterms:date><![CDATA[2013]]></dcterms:date>
    <dcterms:format><![CDATA[21 min]]></dcterms:format>
    <dcterms:type><![CDATA[3-channels video projection]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/76">
    <dcterms:title><![CDATA[Japan railway, Shinagawa station ]]></dcterms:title>
    <dcterms:subject><![CDATA[国鉄品川 (Kokutetsu Shinagawa)]]></dcterms:subject>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:format><![CDATA[37.5 x 101.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/3">
    <dcterms:title><![CDATA[Japan: Where the Sun Rises ]]></dcterms:title>
    <dcterms:subject><![CDATA[日出処日本（hi izuru tokoro nippon)]]></dcterms:subject>
    <dcterms:description><![CDATA[A landscape of Mt. Fuji  rising from the mist alongside a crimson red sun in the sky. This painting is filled with nationalistic sentiment<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[横山大観 (Yokoyama Taikan)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 15 (1926)]]></dcterms:date>
    <dcterms:type><![CDATA[Hanging Scroll, Pigments on Silk]]></dcterms:type>
</rdf:Description></rdf:RDF>
