<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/42">
    <dcterms:title><![CDATA[Good Day ]]></dcterms:title>
    <dcterms:subject><![CDATA[好日]]></dcterms:subject>
    <dcterms:description><![CDATA[The artist painted his own wife and daughter in this painting. It conveys the ideological theme of &quot;good wife, wise mother (良妻賢母, Ryōsai Kenbo), which was propagated across Japan and its colonies from the 19th to 20th century. ]]></dcterms:description>
    <dcterms:creator><![CDATA[林之助 (Lin Chih-Chu)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 18 (1943)]]></dcterms:date>
    <dcterms:format><![CDATA[165 x 135 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Pigments on Paper]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/43">
    <dcterms:title><![CDATA[Morning Coolness ]]></dcterms:title>
    <dcterms:subject><![CDATA[朝涼]]></dcterms:subject>
    <dcterms:description><![CDATA[A depiction of Lin&#039;s future wife in a Kimono next to two goats, in front of a wall of morning glories. This work was accepted by the Shin Bunten exhibition.]]></dcterms:description>
    <dcterms:creator><![CDATA[林之助 (Lin Chih-Chu)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 15 (1940)]]></dcterms:date>
    <dcterms:format><![CDATA[283 x 182 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Pigments on Paper. Glue Tempera ]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/44">
    <dcterms:title><![CDATA[A House of Comfort]]></dcterms:title>
    <dcterms:subject><![CDATA[A House of Comfort (Original title)]]></dcterms:subject>
    <dcterms:description><![CDATA[The image consists of photos of a military brothel, prostitutes, and a person in underwear tinted with red. The artist raises the awareness to the tabooed issue of Japanese history to question the system of exploitation.]]></dcterms:description>
    <dcterms:creator><![CDATA[嶋田美子 (Shimada Yoshiko)]]></dcterms:creator>
    <dcterms:date><![CDATA[Heisei 5 (1993)]]></dcterms:date>
    <dcterms:format><![CDATA[60 x 45 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Etching]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/45">
    <dcterms:title><![CDATA[Hiroshima #88 ]]></dcterms:title>
    <dcterms:subject><![CDATA[ひろしま (Hiroshima) #88]]></dcterms:subject>
    <dcterms:creator><![CDATA[石内都 (Ishiuchi Miyako)]]></dcterms:creator>
    <dcterms:date><![CDATA[Heisei 20 (2008)]]></dcterms:date>
    <dcterms:type><![CDATA[Photograph]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/47">
    <dcterms:title><![CDATA[Bottle melted and Deformed by Atomic Bomb Heat, Radiation and Fire, Nagasaki ]]></dcterms:title>
    <dcterms:subject><![CDATA[熱線と火災で溶解変形した瓶 ]]></dcterms:subject>
    <dcterms:creator><![CDATA[東松照明 (Tōmatsu Shōmei)<br />
]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 36 (1961)]]></dcterms:date>
    <dcterms:format><![CDATA[35.4 × 32.86 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Photograph, gelatin silver print]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/48">
    <dcterms:title><![CDATA[Capturing a View]]></dcterms:title>
    <dcterms:subject><![CDATA[ 取景 ]]></dcterms:subject>
    <dcterms:description><![CDATA[This painting was completed one year after Japan has started its full-scale invasion against China. Despite the innocuous looking image of a girl with a camera, the painting has subtle nationalistic messages. The camera conveys a message about Japan&#039;s modernity and a colonizer&#039;s gaze.]]></dcterms:description>
    <dcterms:creator><![CDATA[林之助 (Lin Chih-Chu)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 13 (1938)]]></dcterms:date>
    <dcterms:format><![CDATA[91.0  x 72.7 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Pigment on Paper]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/50">
    <dcterms:title><![CDATA[Miyuki Bridge, shortly after 11:00 am, 6 August 1945]]></dcterms:title>
    <dcterms:subject><![CDATA[御幸橋、8月6日午前11時すぎ (Miyuki Bridge, shortly after 11:00 am, 6 August 1945)]]></dcterms:subject>
    <dcterms:description><![CDATA[A temporary medical treatment station was set up and insured people were waiting for treatment.]]></dcterms:description>
    <dcterms:creator><![CDATA[松重美人 (Matsushige Yoshito)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 20 (1945)]]></dcterms:date>
    <dcterms:type><![CDATA[Photograph]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/51">
    <dcterms:title><![CDATA[Hiroshima #09 (Ogawa Ritsu) ]]></dcterms:title>
    <dcterms:subject><![CDATA[ひろしま (Hiroshima) #09 (Ogawa Ritsu)]]></dcterms:subject>
    <dcterms:creator><![CDATA[石内都 (Ishiuchi Miyako)]]></dcterms:creator>
    <dcterms:date><![CDATA[2007]]></dcterms:date>
    <dcterms:type><![CDATA[Photograph, chromagenic print]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/52">
    <dcterms:title><![CDATA[Installation view of &quot;the Woman at the Butcher&#039;s Shop&quot;]]></dcterms:title>
    <dcterms:subject><![CDATA[「肉屋の女」展示風景]]></dcterms:subject>
    <dcterms:creator><![CDATA[山城知佳子 (Yamashiro Chikako)]]></dcterms:creator>
    <dcterms:date><![CDATA[2013]]></dcterms:date>
    <dcterms:format><![CDATA[21 min]]></dcterms:format>
    <dcterms:type><![CDATA[3-channels video projection]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/53">
    <dcterms:title><![CDATA[Mother and Child  ( black and white reproduction)]]></dcterms:title>
    <dcterms:subject><![CDATA[母子 ]]></dcterms:subject>
    <dcterms:description><![CDATA[A painting that was displayed along with &quot;Good Day&quot; at the Futen exhibitions. Just like Good Day, it features Lin&#039;s wife and child, and promotes nationalistic ideal of womanhood. ]]></dcterms:description>
    <dcterms:creator><![CDATA[林之助 (Lin Chih-Chu)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 17 (1942)]]></dcterms:date>
    <dcterms:format><![CDATA[135 x 165 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Pigments on Paper]]></dcterms:type>
</rdf:Description></rdf:RDF>
