<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/41">
    <dcterms:title><![CDATA[Comfort Women, Women of Conformity ]]></dcterms:title>
    <dcterms:subject><![CDATA[Comfort Women, Women of Conformity (Original title)]]></dcterms:subject>
    <dcterms:description><![CDATA[By contrasting images of Japanese mothers and Korean comfort women, Shimada visualizes the imperialist hierarchy.]]></dcterms:description>
    <dcterms:creator><![CDATA[嶋田美子 (Shimada Yoshiko)]]></dcterms:creator>
    <dcterms:date><![CDATA[Heisei 6 (1994)]]></dcterms:date>
    <dcterms:format><![CDATA[30 x 21 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Artist&#039;s book]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/44">
    <dcterms:title><![CDATA[A House of Comfort]]></dcterms:title>
    <dcterms:subject><![CDATA[A House of Comfort (Original title)]]></dcterms:subject>
    <dcterms:description><![CDATA[The image consists of photos of a military brothel, prostitutes, and a person in underwear tinted with red. The artist raises the awareness to the tabooed issue of Japanese history to question the system of exploitation.]]></dcterms:description>
    <dcterms:creator><![CDATA[嶋田美子 (Shimada Yoshiko)]]></dcterms:creator>
    <dcterms:date><![CDATA[Heisei 5 (1993)]]></dcterms:date>
    <dcterms:format><![CDATA[60 x 45 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Etching]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/56">
    <dcterms:title><![CDATA[Japanese national flag ]]></dcterms:title>
    <dcterms:subject><![CDATA[日本国旗 (Japanese national flag)]]></dcterms:subject>
    <dcterms:description><![CDATA[The picture is from Kawada&#039;s book The Map (地図). ]]></dcterms:description>
    <dcterms:creator><![CDATA[川田喜久治 (Kawada Kikuji)]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Getsuyo Sha]]></dcterms:publisher>
    <dcterms:date><![CDATA[1959-65]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/47">
    <dcterms:title><![CDATA[Bottle melted and Deformed by Atomic Bomb Heat, Radiation and Fire, Nagasaki ]]></dcterms:title>
    <dcterms:subject><![CDATA[熱線と火災で溶解変形した瓶 ]]></dcterms:subject>
    <dcterms:creator><![CDATA[東松照明 (Tōmatsu Shōmei)<br />
]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 36 (1961)]]></dcterms:date>
    <dcterms:format><![CDATA[35.4 × 32.86 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Photograph, gelatin silver print]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/12">
    <dcterms:title><![CDATA[Standing Figure ]]></dcterms:title>
    <dcterms:subject><![CDATA[立ている像 (Tatte-iru Zō)]]></dcterms:subject>
    <dcterms:description><![CDATA[A standing self-portrait ]]></dcterms:description>
    <dcterms:creator><![CDATA[松本竣介 (Matsumoto Shunsuke)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 17 (1942)]]></dcterms:date>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/13">
    <dcterms:title><![CDATA[Portrait of a Painter]]></dcterms:title>
    <dcterms:subject><![CDATA[画家の像 (Gaka no Zō)]]></dcterms:subject>
    <dcterms:description><![CDATA[Portrait of an artist, presumably Matsumoto himself, with his family. ]]></dcterms:description>
    <dcterms:creator><![CDATA[松本竣介 (Matsumoto Shunsuke)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 16 (1941)]]></dcterms:date>
    <dcterms:format><![CDATA[162.56 x 112.73 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/14">
    <dcterms:title><![CDATA[In the Vicinity of the Diet Building]]></dcterms:title>
    <dcterms:subject><![CDATA[議事堂のある風景 (Gijidō-no-aru-Fūkei)]]></dcterms:subject>
    <dcterms:description><![CDATA[An urban landscape of the Diet Building&#039;s surrounding area]]></dcterms:description>
    <dcterms:creator><![CDATA[松本竣介 (Matsumoto Shunsuke)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 17 (1942)]]></dcterms:date>
    <dcterms:format><![CDATA[61 x 92 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/50">
    <dcterms:title><![CDATA[Miyuki Bridge, shortly after 11:00 am, 6 August 1945]]></dcterms:title>
    <dcterms:subject><![CDATA[御幸橋、8月6日午前11時すぎ (Miyuki Bridge, shortly after 11:00 am, 6 August 1945)]]></dcterms:subject>
    <dcterms:description><![CDATA[A temporary medical treatment station was set up and insured people were waiting for treatment.]]></dcterms:description>
    <dcterms:creator><![CDATA[松重美人 (Matsushige Yoshito)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 20 (1945)]]></dcterms:date>
    <dcterms:type><![CDATA[Photograph]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/42">
    <dcterms:title><![CDATA[Good Day ]]></dcterms:title>
    <dcterms:subject><![CDATA[好日]]></dcterms:subject>
    <dcterms:description><![CDATA[The artist painted his own wife and daughter in this painting. It conveys the ideological theme of &quot;good wife, wise mother (良妻賢母, Ryōsai Kenbo), which was propagated across Japan and its colonies from the 19th to 20th century. ]]></dcterms:description>
    <dcterms:creator><![CDATA[林之助 (Lin Chih-Chu)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 18 (1943)]]></dcterms:date>
    <dcterms:format><![CDATA[165 x 135 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Pigments on Paper]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/43">
    <dcterms:title><![CDATA[Morning Coolness ]]></dcterms:title>
    <dcterms:subject><![CDATA[朝涼]]></dcterms:subject>
    <dcterms:description><![CDATA[A depiction of Lin&#039;s future wife in a Kimono next to two goats, in front of a wall of morning glories. This work was accepted by the Shin Bunten exhibition.]]></dcterms:description>
    <dcterms:creator><![CDATA[林之助 (Lin Chih-Chu)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 15 (1940)]]></dcterms:date>
    <dcterms:format><![CDATA[283 x 182 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Pigments on Paper. Glue Tempera ]]></dcterms:type>
</rdf:Description></rdf:RDF>
