<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/96">
    <dcterms:title><![CDATA[People at the Internment Camp]]></dcterms:title>
    <dcterms:subject><![CDATA[ 収容所の人々 (Shūyōjo no hitobito)]]></dcterms:subject>
    <dcterms:description><![CDATA[Part of the &quot;祖国への旅&quot; series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2]]></dcterms:description>
    <dcterms:creator><![CDATA[北岡文雄 (Kitaoka Fumio)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 22 (1947)]]></dcterms:date>
    <dcterms:format><![CDATA[12.4 × 15.8 cm ]]></dcterms:format>
    <dcterms:type><![CDATA[Woodblock Print]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/13">
    <dcterms:title><![CDATA[Portrait of a Painter]]></dcterms:title>
    <dcterms:subject><![CDATA[画家の像 (Gaka no Zō)]]></dcterms:subject>
    <dcterms:description><![CDATA[Portrait of an artist, presumably Matsumoto himself, with his family. ]]></dcterms:description>
    <dcterms:creator><![CDATA[松本竣介 (Matsumoto Shunsuke)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 16 (1941)]]></dcterms:date>
    <dcterms:format><![CDATA[162.56 x 112.73 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/82">
    <dcterms:title><![CDATA[Portrait of Sakutarō Hagiwara ]]></dcterms:title>
    <dcterms:subject><![CDATA[「氷島」の著者（萩原朔太郎像）(「Hyōtō」no Chosha: Hagiwara Sakutarō zou)]]></dcterms:subject>
    <dcterms:description><![CDATA[This print is dedicated to Onchi&#039;s friend of 20 years, famous modern Japanese poet Hagiwara Sakutarō. It was created one year after Hagiwara&#039;s death in 1942. In this print, Onchi illuminates the life-long hard work and anguish that Hagiwara endured through the wrinkles on his face and his solemn expression. Today, it&#039;s seen as one of the finest exemplars of the &quot;Sōsaku Hanga&quot; (Creative Print) movement in Japan]]></dcterms:description>
    <dcterms:creator><![CDATA[Onchi Kōshirō (恩地孝四郎)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 18 (1943)]]></dcterms:date>
    <dcterms:format><![CDATA[56.2 x 43.8 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Color Woodcut]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/104">
    <dcterms:title><![CDATA[Pseudo Machine ]]></dcterms:title>
    <dcterms:subject><![CDATA[似而非機械 (Ese kikai)]]></dcterms:subject>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[1971]]></dcterms:date>
    <dcterms:format><![CDATA[162.0×130.0 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/54">
    <dcterms:title><![CDATA[Refugees ]]></dcterms:title>
    <dcterms:subject><![CDATA[流亡图 (Refugees)]]></dcterms:subject>
    <dcterms:description><![CDATA[&quot;Refugees&quot; is a life-sized scroll that portrays the suffering of Chinese denizens during the Sino-Japanese war. It came out near the end of the war in 1943, and is an artistic plea for a ceasefire between China and Japan. One of Jiang&#039;s best skills is showing the pain and desperation in the figures&#039;s faces. ]]></dcterms:description>
    <dcterms:creator><![CDATA[蒋兆和 (Jiang Zhaohe)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 18 (1943)]]></dcterms:date>
    <dcterms:format><![CDATA[200 x 2700 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Ink and Pigments on scroll]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/26">
    <dcterms:title><![CDATA[Resplendent Sign]]></dcterms:title>
    <dcterms:subject><![CDATA[乾坤輝く(Kenkon Kagayaku) ]]></dcterms:subject>
    <dcterms:description><![CDATA[A bright red sun rising next to Mt. Fuji across an extravagant gold background. This painting by Yokoyama Taikan is a nationalistic painting that celebrates Japan&#039;s imperial glory. It is part of the series &quot;Ten Mountain <br />
Views and Ten Ocean Views&quot;, which features twenty hanging scrolls; ten of which are all depictions of Mt. Fuji, while the other ten are ocean paintings. ]]></dcterms:description>
    <dcterms:creator><![CDATA[横山大観 (Yokoyama Taikan)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 15 (1940)]]></dcterms:date>
    <dcterms:format><![CDATA[80.3 x 115.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Hanging Scroll, Pigments on Paper]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/101">
    <dcterms:title><![CDATA[Rise Up, Girl]]></dcterms:title>
    <dcterms:subject><![CDATA[ 蜂起せよ少女 (Hōki seyo shōjo)]]></dcterms:subject>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[1959]]></dcterms:date>
    <dcterms:format><![CDATA[91 x 117 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil, Gravure on Plywood]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/77">
    <dcterms:title><![CDATA[Sacred Soldier to the Rescue ]]></dcterms:title>
    <dcterms:subject><![CDATA[神兵の救出到る (Shinhei no Kyushutsu itaru)]]></dcterms:subject>
    <dcterms:description><![CDATA[Unlike Fujita&#039;s other action-packed war paintings, this one is more tranquil. It shows a Japanese soldier entering the house of a luxurious Dutch-owned house in Indonesia, whose owners have tied up their black servant and abandoned her while they ran. The propagandist painting convey a message of Japanese soldiers rescuing other ethnicities from white men, and expressing a sense of moral superiority of the Japanese. Despite this, it still falls into the same tendency of Western paintings where other ethnicities and cultures are feminized and exoticized. For example, the breasts of the female is pronounced while the rifle of the soldier is placed near the figure&#039;s crotch, almost like a phallic symbol. ]]></dcterms:description>
    <dcterms:creator><![CDATA[藤田嗣治 (Fujita Tsuguharu)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 19 (1944)]]></dcterms:date>
    <dcterms:format><![CDATA[192 x 257 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/97">
    <dcterms:title><![CDATA[Sacred Torch Relay]]></dcterms:title>
    <dcterms:subject><![CDATA[聖火千里行 (Seika senrikō)]]></dcterms:subject>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[1964]]></dcterms:date>
    <dcterms:format><![CDATA[130 x 162 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/103">
    <dcterms:title><![CDATA[School Excursion]]></dcterms:title>
    <dcterms:subject><![CDATA[遠足 (Ensoku)]]></dcterms:subject>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[1964]]></dcterms:date>
    <dcterms:format><![CDATA[80.5 x 116.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description></rdf:RDF>