<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/82">
    <dcterms:title><![CDATA[Portrait of Sakutarō Hagiwara ]]></dcterms:title>
    <dcterms:subject><![CDATA[「氷島」の著者（萩原朔太郎像）(「Hyōtō」no Chosha: Hagiwara Sakutarō zou)]]></dcterms:subject>
    <dcterms:description><![CDATA[This print is dedicated to Onchi&#039;s friend of 20 years, famous modern Japanese poet Hagiwara Sakutarō. It was created one year after Hagiwara&#039;s death in 1942. In this print, Onchi illuminates the life-long hard work and anguish that Hagiwara endured through the wrinkles on his face and his solemn expression. Today, it&#039;s seen as one of the finest exemplars of the &quot;Sōsaku Hanga&quot; (Creative Print) movement in Japan]]></dcterms:description>
    <dcterms:creator><![CDATA[Onchi Kōshirō (恩地孝四郎)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 18 (1943)]]></dcterms:date>
    <dcterms:format><![CDATA[56.2 x 43.8 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Color Woodcut]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/83">
    <dcterms:title><![CDATA[At Ruin--Allegory No. 3]]></dcterms:title>
    <dcterms:subject><![CDATA[アレゴリーNo.3 廃墟 (Aregori--No.3 Haikyo)]]></dcterms:subject>
    <dcterms:creator><![CDATA[Onchi Kōshirō (恩地孝四郎)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shõwa 23 (1948)]]></dcterms:date>
    <dcterms:format><![CDATA[50.5 × 40.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Color Woodcut]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/15">
    <dcterms:title><![CDATA[Lady Kusunoki]]></dcterms:title>
    <dcterms:subject><![CDATA[ 楠公夫人 (Nankō Fujin）]]></dcterms:subject>
    <dcterms:description><![CDATA[A portrait of Lady Kusunoki, the wife Kusunoki Masashige. ]]></dcterms:description>
    <dcterms:creator><![CDATA[上村松園 (Uemura Shōen)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa 19 (1944)]]></dcterms:date>
    <dcterms:format><![CDATA[60 x 71.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Pigments on Silk]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/92">
    <dcterms:title><![CDATA[Gunned Down]]></dcterms:title>
    <dcterms:subject><![CDATA[ 射殺 (Shasatsu)]]></dcterms:subject>
    <dcterms:description><![CDATA[Nakamura&#039;s comment on the Girard Incident, a shooting of a middle-aged mother in a firing range by an off-duty U.S. guard.]]></dcterms:description>
    <dcterms:creator><![CDATA[中村 宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[1957]]></dcterms:date>
    <dcterms:format><![CDATA[73 × 91 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/59">
    <dcterms:title><![CDATA[On the Steps ]]></dcterms:title>
    <dcterms:subject><![CDATA[階段にて ( kaidan-nite)]]></dcterms:subject>
    <dcterms:description><![CDATA[There are many repetitions and multiplications in this painting. Waves are flowing like water that washes away or traps the figures with glasses. Steps and waves are the motifs that Nakamura repeatedly applies.]]></dcterms:description>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:format><![CDATA[90.5 x 181.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[oil on plywood]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/68">
    <dcterms:title><![CDATA[Sunagawa No.5]]></dcterms:title>
    <dcterms:subject><![CDATA[ 砂川五番 (Sunagawa goban)]]></dcterms:subject>
    <dcterms:description><![CDATA[Here Nakamura depicted the protest against the expansion of the US military base in Tachikawa. The most violent incident during the protest is remembered as Sunagawa Struggle on May 4, 1955, which is the subject of this painting. ]]></dcterms:description>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[1955]]></dcterms:date>
    <dcterms:type><![CDATA[Oil on plywood]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/75">
    <dcterms:title><![CDATA[Coal Storage ]]></dcterms:title>
    <dcterms:subject><![CDATA[石炭置き場 (Sekitan okiba)]]></dcterms:subject>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[Shōwa  30 (1955)]]></dcterms:date>
    <dcterms:format><![CDATA[72.8 x 49.8 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/76">
    <dcterms:title><![CDATA[Japan railway, Shinagawa station ]]></dcterms:title>
    <dcterms:subject><![CDATA[国鉄品川 (Kokutetsu Shinagawa)]]></dcterms:subject>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:format><![CDATA[37.5 x 101.5 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/90">
    <dcterms:title><![CDATA[The Base ]]></dcterms:title>
    <dcterms:subject><![CDATA[基地 (Kichi)]]></dcterms:subject>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[Showa 32 (1957)]]></dcterms:date>
    <dcterms:format><![CDATA[92.0 × 175.0 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Plywood]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://empire-war-occupation-20thcent-japaneseart.artinterp.org/items/show/95">
    <dcterms:title><![CDATA[Omens of a Place I ]]></dcterms:title>
    <dcterms:subject><![CDATA[場所の兆し (1) (basho no kizashi)]]></dcterms:subject>
    <dcterms:creator><![CDATA[中村宏 (Nakamura Hiroshi)]]></dcterms:creator>
    <dcterms:date><![CDATA[1961]]></dcterms:date>
    <dcterms:format><![CDATA[130 x 162 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Oil on Canvas]]></dcterms:type>
</rdf:Description></rdf:RDF>