4 10 74 https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/589417babf770acba8bd6661e6210a5f.png d81ff38cbc61b4961e715f488391a30a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Where are you going?" (Quo Vadis) Subject The topic of the resource クォ・ヴァディス (Quo Vadis ) Description An account of the resource The title is a latin phrase with biblical origins that translates to "where are you marching?". This quote describes the lone Japanese soldier with his back turned to us, standing at the crossroads in a barren landscape, uncertain of where to go. This surrealist depiction portrays melancholic state of Japan, as the nation faced an uncertain future after its defeat in World War 2. Creator An entity primarily responsible for making the resource 北脇昇 (Kitawaki Noboru) Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 24 (1949) Format The file format, physical medium, or dimensions of the resource 117.0 x 91.0 cm Type The nature or genre of the resource Oil on Canvas Kitawaki Noboru Yōga https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/701902847712ecaf6b8b6a799ce3095b.jpg 17b554b0ceebd819c01fe1c2f1a82b8b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 11-13: Art in the Postwar (1952-1970, and beyond) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marriage of hibakushas Subject The topic of the resource 被爆者同士の結婚 (Mr. and Mrs. Kotani: Two who have suffered from the bomb) Creator An entity primarily responsible for making the resource 土門拳 (Domon Ken) Date A point or period of time associated with an event in the lifecycle of the resource 1957 Type The nature or genre of the resource Photograph https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/caad643dd6625e6dd5a0efed7817141c.png 1c24bc18eacd18ddad9a422bdae761d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 2-5: Art, Empire and War (1930-1945) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meeting of Generals Yamashita and Percival Subject The topic of the resource 山下、パーシバル両司令官会見図 (Yamashita, Pāshibaru ryōshireikan kaiken zu) Description An account of the resource This painting depicts the historic British surrender of Singapore to the Japanese after the Battle of Singapore in 1942. At a small office of an automobile factory, General Arthur Percival meets with General Yamashita Tomoyuki to sign the official surrender. The artist displays the power disparity between the Japanese and the British through their position around the table and their postures. General Yamashita sits steadfast and firm at the top of the table while the British fidgets cowardly and indecisively at the bottom. Creator An entity primarily responsible for making the resource 宮本三郎 (Miyamoto Saburō) Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 17 (1942) Format The file format, physical medium, or dimensions of the resource 181 × 226 cm Type The nature or genre of the resource Oil on Canvas Miyamoto Saburō Sensōga (war painting) Yōga https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/8f4600d4389f861d69ed464586ff6ab7.png 4d4559a6e7b69d20d83ddb82ea0ab727 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 2-5: Art, Empire and War (1930-1945) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Attack on Nanyuan, Beijing Subject The topic of the resource 南苑攻撃図 (Nan-en Kōgeki-zu) Description An account of the resource A painting by Miyamoto depicting the Japanese attack on Beijing during World War 2. The pose of the soldier raising his rifle and flag is modeled after Lady Liberty in Eugene Delacroix's 1830 painting "Liberty Leading the People", demonstrating how Miyamoto adapted body languages from Western art to celebrate Imperial Japan's glory Creator An entity primarily responsible for making the resource 宮本三郎 (Miyamoto Saburō) Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 16 (1941) Format The file format, physical medium, or dimensions of the resource 176.7 x 255 cm Type The nature or genre of the resource Oil on Canvas Miyamoto Saburō Sensōga (war painting) Yōga https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/e52a6d1c944bdc2121e47bb1a00676f8.png 87d604ba4adfb2935010e1f33232cacb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 2-5: Art, Empire and War (1930-1945) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Captives Subject The topic of the resource 捕虜 (Horyo) Creator An entity primarily responsible for making the resource 宮本三郎 (Miyamoto Saburō) Format The file format, physical medium, or dimensions of the resource 43.5 x 27.8 cm Type The nature or genre of the resource Pencil, crayon, and watercolors on paper Description An account of the resource Sketches of Australian Prisoners-of-War by Miyamoto Saburo when he visited Singapore during World War 2. Even though Miyamoto is aware that these Westerners are Japan's enemies, he still admired the physical characteristics of these caucasian men. He proudly highlights the muscular upper torso and robust physiques of these men, even though they are prisoners Miyamoto Saburō Sensōga (war painting) Yōga https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/7769593cd94edd620caaf823d7019150.png 79f644a6ad608dcc0133f76eceace5ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 2-5: Art, Empire and War (1930-1945) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hunger and Thirst Subject The topic of the resource 飢渴 (Kikatsu) Creator An entity primarily responsible for making the resource 宮本三郎 (Miyamoto Saburō) Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 18 (1943) Format The file format, physical medium, or dimensions of the resource 130 x 97 cm Type The nature or genre of the resource Oil on Canvas Description An account of the resource Compared to Miyamoto's many war paintings, Hunger and Thirst is special in many ways. First, it wasn't commissioned by the military nor is it based on any specific military event or photograph. Miyamoto's conception for this painting came purely from this own imagination. Secondly, and most apparent, this painting does not portray a glorious subject. It shows an injured and downtrodden Japanese soldier surprised and horrified by his own face reflected from a puddle. Other than highlighting the horrors of war, this painting also depicts the dilemma of Japanese people trying to find their ideal self-identity in a caucasian-centered world. Miyamoto Saburō Sensōga (war painting) Yōga https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/1c448ff73f839002b7a460fefa0b3ea2.jpg 6f5668159c024547454520eba26b482f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 11-13: Art in the Postwar (1952-1970, and beyond) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Installation view of "the Woman at the Butcher's Shop" Subject The topic of the resource 「肉屋の女」展示風景 Creator An entity primarily responsible for making the resource 山城知佳子 (Yamashiro Chikako) Date A point or period of time associated with an event in the lifecycle of the resource 2013 Format The file format, physical medium, or dimensions of the resource 21 min Type The nature or genre of the resource 3-channels video projection https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/b330d93dc8963c5390e4eb9d0eaa8807.jpg e11adb4c2e21b2a2ff6e48c6e1934b63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 11-13: Art in the Postwar (1952-1970, and beyond) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Woman at the Butcher's Shop Subject The topic of the resource 肉屋の女 (Nikuya no onna) Creator An entity primarily responsible for making the resource 山城知佳子 (Yamashiro Chikako) Date A point or period of time associated with an event in the lifecycle of the resource 2013 Format The file format, physical medium, or dimensions of the resource 21 min Type The nature or genre of the resource 3-channels video projection https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/a0d7d81437fbb222eacd05e50c66530a.tif 476fdc51072067ee530383e739928c71 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 11-13: Art in the Postwar (1952-1970, and beyond) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Picture to be Burnt Subject The topic of the resource 焼かれるべき絵 (Yakareru beki e) Description An account of the resource A portrait of Emperor Hirohito with his face erased is placed in the middle of a Japanese national flag and is crossed over with a bold red diagonal lines from each corner of the flag. Creator An entity primarily responsible for making the resource 嶋田美子 (Shimada Yoshiko) Publisher An entity responsible for making the resource available 1993 Date A point or period of time associated with an event in the lifecycle of the resource Heisei 5 (1993) Format The file format, physical medium, or dimensions of the resource 70.3 x 52.4 cm Type The nature or genre of the resource Etching Shimada Yoshiko https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/fe00d8cf372ffb4b1346b56d0fa92b6b.tif ab2c52660f4adcc0399994963f5e2afb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 11-13: Art in the Postwar (1952-1970, and beyond) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Child Subject The topic of the resource Mother and Child (Original title) Creator An entity primarily responsible for making the resource 嶋田美子 (Shimada Yoshiko) Date A point or period of time associated with an event in the lifecycle of the resource Heisei 5 (1993) Format The file format, physical medium, or dimensions of the resource 66.5 x 46.2 cm Type The nature or genre of the resource Etching and aquatint in colors Description An account of the resource Several images of mother and child are layered to show the expected roles of mothers across the society. The cult of motherhood was one of the discourses to support the nationalist ideology for illusory unity during the war. Shimada Yoshiko