7 10 74 https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/5525d2599c6fe7b1866ca7f39486bc2e.png 78ee0d7243876cdac715e3ac78390f98 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 船艘 (Sensō) Subject The topic of the resource In the Hold of a Ship (Eng Trans.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In the Hold of a Ship Subject The topic of the resource 船艘 (Sensō) Description An account of the resource Part of the "祖国への旅" series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2 Creator An entity primarily responsible for making the resource 北岡文雄 (Kitaoka Fumio) Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 22 (1947) Format The file format, physical medium, or dimensions of the resource 15.7 × 20.3 cm Type The nature or genre of the resource Woodblock Print Kitaoka Fumio Woodblock https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/c5ccf0ccb1c1dd3530e15d184ddadafb.jpg 37831d8ee1c2b14278b51302c04216b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 11-13: Art in the Postwar (1952-1970, and beyond) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sightseeing Empire Subject The topic of the resource 観光帝国 (Kankō teikoku) Creator An entity primarily responsible for making the resource 中村宏 (Nakamura Hiroshi) Date A point or period of time associated with an event in the lifecycle of the resource 1964 Format The file format, physical medium, or dimensions of the resource 130 x162 cm Type The nature or genre of the resource Oil on Canvas https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/4f4a04f63f006190fa44a45e7d515009.jpg 2fd5a32f409134c41cb9198d9a77c6d7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 11-13: Art in the Postwar (1952-1970, and beyond) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rise Up, Girl Subject The topic of the resource 蜂起せよ少女 (Hōki seyo shōjo) Creator An entity primarily responsible for making the resource 中村宏 (Nakamura Hiroshi) Date A point or period of time associated with an event in the lifecycle of the resource 1959 Format The file format, physical medium, or dimensions of the resource 91 x 117 cm Type The nature or genre of the resource Oil, Gravure on Plywood https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/eff365068a32fe1150b687c6df5e60dd.png 2c6086861a22ae53adafeee06a9f6b20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orphan waiting for food Subject The topic of the resource 給食を待つ孤児 (Kyūshoku wo matsu Minashigo) Description An account of the resource Part of the "祖国への旅" series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2 Creator An entity primarily responsible for making the resource 北岡文雄 (Kitaoka Fumio) Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 22 (1947) Format The file format, physical medium, or dimensions of the resource 13.2 X 11.2cm Type The nature or genre of the resource Woodblock Print https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/0252c0ccc61486fa7d5c0f98f58e7cda.jpeg 13c9fbe7af2bcde1a68216d19fed24de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 11-13: Art in the Postwar (1952-1970, and beyond) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource School Excursion Subject The topic of the resource 遠足 (Ensoku) Creator An entity primarily responsible for making the resource 中村宏 (Nakamura Hiroshi) Date A point or period of time associated with an event in the lifecycle of the resource 1964 Format The file format, physical medium, or dimensions of the resource 80.5 x 116.5 cm Type The nature or genre of the resource Oil on Canvas https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/615d9154832c12901569a5b6bb296af8.jpg 1fff36ce0048464b1af69a5e6870a1b4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 11-13: Art in the Postwar (1952-1970, and beyond) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pseudo Machine Subject The topic of the resource 似而非機械 (Ese kikai) Creator An entity primarily responsible for making the resource 中村宏 (Nakamura Hiroshi) Date A point or period of time associated with an event in the lifecycle of the resource 1971 Format The file format, physical medium, or dimensions of the resource 162.0×130.0 cm Type The nature or genre of the resource Oil on Canvas https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/6368cbacecb14fc1a37fb4a9572f4835.jpeg 89551212519d10cf6f7705bcf18bb1a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 11-13: Art in the Postwar (1952-1970, and beyond) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Airplane and Girl Subject The topic of the resource 飛行機と少女 (Hikōki to shōjo) Date A point or period of time associated with an event in the lifecycle of the resource 1965 Format The file format, physical medium, or dimensions of the resource 53 x 65.2 cm Type The nature or genre of the resource Oil on Canvas Creator An entity primarily responsible for making the resource 中村宏 (Nakamura Hiroshi) https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/da12f8db438042f5f801846e2926bd53.png bd1d26f3cf8c383c5b7f1c18d90937ea https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/f201d9a9385354d9e78b4894a26d478c.png a9af4c129059e4bb7eedee9a3fb116ca https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/d0e2b2664ee4c255ebf62015653791d1.png 5f58551d65f4133de60f857fa9a734d9 https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/bd1a867e9bda7871aaed5ca3d1fd0110.jpeg 0e03461ba65b60c7de0389af685c947b https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/03e7c5c2f1d4297332a5b53172ed0528.jpeg 8f3391b51ee6b1be02f4092893a612eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Model for the Memorial to the Dead of Hiroshima Creator An entity primarily responsible for making the resource 野口　勇 (Noguchi Isamu) Type The nature or genre of the resource unrealized model (black granite and concrete intended) Description An account of the resource Noguchi's planned model for the bomb atomic memorial for Hiroshima Peace Memorial Park, which was rejected for a variety of reasons. Noguchi took inspirations from Japanese traditional ceramics and maternal symbolisms for his cenotaph. He claimed that the shape of his planned cenotaph was based on Japanese "haniwa", prehistoric Japanese pottery figurines. The shape and design of the cenotaph also convey some maternal messages, as the underground chamber underneath the cenotaph represent a womb while the legs of cenotaph is roughly shaped like maternal thighs. Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 27 (1952) Format The file format, physical medium, or dimensions of the resource N.A atomic bomb Hiroshima Peace Memorial Park https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/400d12db565c2f4a4efbaa9fba6da278.png cd9e70a0b55696a6c4ce3e9bce2a43a2 https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/d25c661b6ae949aa0645255e320ce7d6.png 5affde8cd06903a9e8865ff05764bb31 https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/a613e248fbc52b0ad2eb861572845a38.png 230a154388791f64bf909bb566f89406 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hiroshima Peace Memorial Park Creator An entity primarily responsible for making the resource 丹下健三 (Tange Kenzō) Type The nature or genre of the resource Architecture Subject The topic of the resource 広島平和記念公園 (Hiroshima Heiwa Kinen Kō-en) Description An account of the resource Out of the multiple design proposals for Hiroshima Peace Memorial Park, it was Kenzō Tange's design that is chosen in the end. Tange's architecture plans is a mixture of modernist design and Japanese tradition. For example, the cenotaph in front of the exhibition hall is based on prehistoric Japanese "haniwa" ceramics. This turn towards traditions is a continuation of the wartime "tradition debate" in Japanese architecture, where architects debate on ways to implement traditional Japanese architectural characteristics in modern buildings as a celebration of Japanese imperialism. By the postwar period, architects began to look toward the more distant prehistoric past of Japan for inspiration as a justification of implementing Japanese conventions without the imperialistic implications. The exhibition hall, on the other hand, utilizes modern designs and shows great influence from famous architect Corbusier Date A point or period of time associated with an event in the lifecycle of the resource 昭和27 (Showa 27) Format The file format, physical medium, or dimensions of the resource N.A atomic bomb Tange Kenzō https://empire-war-occupation-20thcent-japaneseart.artinterp.org/files/original/8b8441487e1532164945c5b9ffd0d2d9.jpeg b10db0f99a8b485fdfedbffde38d2a82 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeks 6-10: Art and the Allied Occupation (1945-1952) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource 北村西望 (Kitamura Seibō) Title A name given to the resource Nagasaki Peace Memorial Subject The topic of the resource 長崎平和祈念像 (Nagasaki Heiwa Kinen-zō) Description An account of the resource Serving as the centerpiece of Nagasaki Peace Memorial Park, this 13-meter tall bronze statue by Seibo Kitamura has various symbolism in its gestures. The right hand pointing toward the sky represent the threat of nuclear weapons coming from the sky. The left hand outstretched horizontally represent peace across the whole world. Additionally, the serene looking face with closed-eyes is a representation of a prayer to the lives lost in the Nagasaki bombing. Type The nature or genre of the resource Bronze statue Date A point or period of time associated with an event in the lifecycle of the resource Shōwa 30 (1955) Format The file format, physical medium, or dimensions of the resource Height: 13 meters atomic bomb Kitamura Seibō sculpture