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                  <text>Weeks 6-10: Art and the Allied Occupation (1945-1952) </text>
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                <text>War Defeat Group </text>
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                <text>敗戦群像 (Haisen Gunzō)</text>
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                <text>A surrealist painting that depicts the artist's sentiment towards the defeat of Japan following the second world war. In the foreground, we see a heap of human bodies stacked up in a rough pyramid shape in front of a barren desolate landscape. Despite the gloom appearance, there are subtle visual clues that conveys Fukuzawa's hope for Japan's revival. For example, rather than being in a state of decay, the cadavers appear muscular and robust, as if they still possess the potential to lift themselves up. </text>
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                <text>福沢一郎 (Fukuzawa Ichirō)</text>
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                <text>Shōwa 24 (1949)</text>
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                <text>193.9 x 259.1 cｍ</text>
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                <text>Oil on Canvas</text>
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                <text>Washing Legs: At the Hōten Internment Camp </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>北岡文雄 (Kitaoka Fumio)</text>
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                <text>Shōwa 22 (1947)</text>
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                <text>27.5 x 19.5 cm</text>
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                <text>Woodblock Print</text>
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                <text>足を洗う　奉天收容所にて (Ashi wo arau   Hōten Shyūyōjo nite)</text>
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                <text>Part of the "祖国への旅" series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2</text>
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                <text>Water: In the Mountain When Crossing Renzankan </text>
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                <text>水  連山関を越える山中にて (Mizu Renzankan wo koeru sancyū nite)</text>
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                <text>北岡文雄 (Kitaoka Fumio)</text>
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                <text>Part of the "祖国への旅" series (Journey to Native Country), which depicts the journey of Japanese returning to their country after World War 2</text>
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