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            <name>Title</name>
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                <text>Weeks 6-10: Art and the Allied Occupation (1945-1952) </text>
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              <text>Hiroshima Peace Memorial Park  </text>
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              <text>丹下健三 (Tange Kenzō)</text>
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              <text>広島平和記念公園 (Hiroshima Heiwa Kinen Kō-en)</text>
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              <text>Out of the multiple design proposals for Hiroshima Peace Memorial Park, it was Kenzō Tange's design that is chosen in the end. Tange's architecture plans is a mixture of modernist design and Japanese tradition. For example, the cenotaph in front of the exhibition hall is based on prehistoric Japanese "haniwa" ceramics. This turn towards traditions is a continuation of the wartime "tradition debate" in Japanese architecture, where architects debate on ways to implement traditional Japanese architectural characteristics in modern buildings as a celebration of Japanese imperialism. By the postwar period, architects began to look toward the more distant prehistoric past of Japan for inspiration as a justification of implementing Japanese conventions without the imperialistic implications.&#13;
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The exhibition hall, on the other hand, utilizes modern designs and shows great influence from famous architect Corbusier</text>
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              <text>昭和27 (Showa 27)</text>
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      <name>atomic bomb</name>
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      <name>Tange Kenzō</name>
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